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작성자트로이목마 조회 4회 작성일 2020-10-16 23:49:06 댓글 0

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Claude Debussy - Petite Suite for Piano 4 hands

Claude-Achille Debussy (22 August 1862 – 25 March 1918) was a French composer. Along with Maurice Ravel, he was one of the most prominent figures associated with Impressionist music, though he himself disliked the term when applied to his compositions. He was made Chevalier of the Legion of Honour in his native France in 1903. Debussy was among the most influential composers of the late 19th and early 20th centuries, and his use of non-traditional scales and chromaticism influenced many composers who followed

Petite Suite for Piano 4-hands (1886-89)

I - En Bateau 0:00
II - Cortège 3:11
III - Menuet 6:15
IV - Ballet 9:08

Anastasia Gromoglasova (primo) and Liubov Gromoglasova (secondo) performing at their duo recital at the Small hall of the Moscow Conservatoire.

The suite, which was composed from 1886 to 1889, was first performed on 2 February 1889 by Debussy and pianist–publisher Jacques Durand at a salon in Paris. It may have been written due to a request – possibly from Durand – for a piece that would be accessible to skilled amateurs, as its simplicity is in stark contrast with the modernist works that Debussy was writing at the time.
The first two movements are settings of poems from the volume Fêtes galantes by Paul Verlaine
PianoTandem : Beautiful music! If you want to play this piece on the piano yourself, I uploaded a playalong for pianists and amateurs
Gabriel Ohland : Ok everybody, I'm going back to study, not enough for today.

Enjoy music, have a great time, bye.
MashedTubers : They absolutely butchered the cortege in this interpretation, playing it way too fast and totally lacking the warmth that movement has in it. Why do I keep running into pianists, as well as violinists, who think that no piece should be played on the slower side?
Rémi Letourneur : Sérieusement, qui met des p*** de pubs, au milieu même d'un mouvement ?!
toothless toe : The description isn't quite accurate, considering that this work is NOT in stark contrast to any other work he would have written during the 1880s, as that stark contrast wouldn't come later until the 1910s.
크루아상crew_assang : 6:16 6:16
정현우 : Fantasic performance, But sorry to miss # on 11:33
Josue Hernandez Escamilla : Menuet is my favorite one <3
adel2323 : you have got to be a incredibly sad individual to dislike this
Varlice1 : Bela interpretação!

Claude Debussy - Petite suite 德布西:小組曲

Info: https://gr.afit.pl
La Folle Journée de Varsovie 2013, Szalone Dni Muzyki w Warszawie, The Grand Theatre in Warsaw, Poland, September 28 2013
Symphony Orchestra of The Arthur Rubinstein Music School in Bydgoszcz, Poland
Henryk Wierzchoń - conductor
m Handa : 中3のコンクールで行列とバレーを演りました
マイクの設置してある場所のせいなのでしょうか
フルートがやけに強く感じます
PianoTandem : Beautiful! Play yourself Petite Suite on the piano with my playalongs :)
k windsock : Polish. Thank you
k windsock : i love this piece.
Alvaro García : I came back once more to get a better mood in the middle of Coronavirus crisis. These girls in their flutes move my soul to other place different from our suffering Earth.
Thank you all young musicians from lovely Poland, blessed Chopin home land.
Alonso Peña : Que hermosa presentation ,adoro estás,musica. mil gracias.........
Tomsfilipsons : I like this better than almost any other Debussy composition. Yes, I know, I'm stupid and unsophisticated. I think it's a shame that Debussy didn't further explore the option of simple, strong melodies in a harmonically advanced setting. Well, I guess we have Prokofiev for that.
Rick L Newman : I just love Debussy,
He was an Impressionist Composer.
Alvaro García : Debussy's Petit Suite in an outstanding arrangement. Congratulations to all the musicians girls and boys. Excellent conduction and performance. Thank you to beauty Poland!!
ジュースポン : 11:11

Martha Argerich, Cristina Marton: Debussy Petite Suite 17 06 2013

Martha Argerich and Cristina Marton at Lugano - Martha Argerich Project
Claude Debussy, Petite Suite, for piano, 4 hands

All Rights Reserved to RSI, Lugano, Switzerland, 17.6.2013
PianoTandem : The great Martha Argerich. A legend! If you want to play this piece, have a look at my playalongs!
みな : うわあああ、はい、神。7:40 好き
neotium zechs : 3:03 Piano Vibrato
MA Tsao : This version suits me far more than the one performed by Lang Land and Eschenbach. A lot more delicacy and thoughtfulness in these women's approach. Truly in the spirit of Debussy.
K C : 7:40
Claudine Choi : 1. 0:57
2. 4:37
3. 7:40
4. 10:45
Karl-Wilhelm Schmidt : Best, wow!!!!!!!!!
이헹 : Incredible playing! Love this video sooo much.
Claudine Choi : 0:56
Alvaro García : OMG Debussy wrote for the pianoforte the real revolution and evolution. Doesn't this incredible divine piece demonstrate that? And this outstanding version by Marta & company is not absolutely great?

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